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Waistcoat. Norsk Folkemuseum.(CC-BY-SA) |
This post was originally written in 2017, and up dated with links checked and another four survivals added in September 2020.
The silk knitted waistcoats mainly of the seventeenth
century are fairly well known. The push for putting together this, very
incomplete overview and list, came from this month’s Knitting History Forum
meeting, (November 2017) where Jana Trepte (Kiel
University) gave a presentation on ‘Piecing the Bremen waistcoat together: an
everyday knitted garment of the early 1600s.’
Jana talked about an
excavation by the river in Bremen between 2004 and 2007, which produced finds
dating between the 1590s and 1630. Among the vast number of finds were at least
10,000 fragments of textiles and leather, of which at least 2% are knitted.
Jana had investigated twelve of these fragments closely, at least one of which,
the largest, would appear from the shape to be from a waistcoat. The fibre is
wool, and the shaping was produced by adding and decreasing stitches. The gauge
at which it was knitted was 68 to 10 cm. by 84 per 10 cm.
(Please note that having spent nearly 60 years talking about stitches and rows
per inch, I am still having difficulties converting to wale (vertical column of
stitches) and course (horizontal row) per 10 centimetres) The garment from
which the fragment had come had obviously been worn and was ripped or cut in
places.
Other
recent literature
Ruth Gilbert has done work on the Lindisfarne
knitted fragments These fragments were from a late 19th century
excavation on Lindisfarne, and were examined by Elizabeth Crowfoot in an
unpublished paper in 1951, and then by Ruth in 2007. Crowfoot thought that seven
of the sixteen knitted fragments might be from a knitted jerkin, and Ruth has
created a conjectured reconstruction of where the fragments might fit on a
waistcoat. The yarn is wool knitted at 30 stitches and 40 rounds to 10 cm. Ruth
Gilbert, 2015. Not so much Cinderella as the Sleeping Beauty: Neglected
Evidence of Forgotten Skill. In: North European Symposium for Archaeological
Textiles X; edited by Eva B. Andersson Strand, Margarita Gleba, Ulla Mannering,
Cherine Munkholt (Oxford: Oxbow)
Maj Ringgaard has published about knitted
waistcoats in the Scandinavian context, and although this mainly examines silk
waistcoats, she also looks at knitted wool, linen and cotton. Her paper has a
comparative analysis chart of seventeen surviving damask knitted silk
waistcoats, two in the UK and the rest in Norway, Sweden or Denmark. The gauges for these run from 56 to 78
stitches to 10 cm and from 70 to 105 rows to 10 cm. Ringgaard comments that
“consistent differences in the damask knitted waistcoats indicate two different
places of production with highly divergent knitting traditions.” She also
examines the difference between brocade knitted and damask knitted waistcoats. Maj Ringgaard, 2014. Silk knitted waistcoats:
a 17th century fashion item. In: Fashionable Ecounters: perspectives
and trends in textile and dress in the Early Modern Nordic World. (Oxford:
Oxbow), pp.73-103
Susan North has examined and produced a pattern from a coral
and yellow surviving waistcoat, in the Victoria and Albert Museum. The flower
pattern is similar to those published in a c.1650 German design book. Susan North, 2011, Knitted silk waistcoat. In:
Seventeenth Century Women’s Dress Patterns, book 1; edited by Susan North and
Jenny Tiramani. (London: Victoria and Albert Museum) pp.88-97
Deborah Pulliam says she has examined seventeen waistcoats,
but unfortunately does not provide a list. She mentions those in the
Los Angeles Museum (AC1995 1.1), the Boston Museum of Fine Arts (06.2397),
(1940.22 43.877), (43.869)and (95.501), Museum of Costume Nottingham (#22),
Victoria and Albert Museum (346.1898), National Museums of Scotland (1973.29),
Metropolitan Museum of Art, New York (
TSR14.134.18) and (
TSR46.156.117),
Burrell Collection, Glasgow [29/126], unfortunately these are only eleven
of the seventeen. She also mentions the example in the Musée de la mode et du textile Paris (
UCAD #996.68.1), which she says she has not
actually examined, and the two adult knitted jackets in the coffins of two
children in Roskilde Cathedral in Denmark. Deborah has deliberately not looked
at the pull over the head style of waistcoat. Deborah Pulliam, 2002,
Knitted Silk and Silver: those mysterious jackets. Textile Society of America
Symposium Proceedings.
http://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1540&context=tsaconf
For more information on the Roskilde waistcoats see Else
Østergard, The coffins of two royal
children in Roskilde cathedral. In: Textiles in Northern Archaeology: NESAT III Textile Symposium in York
6-9 May 1987, edited by
Penelope Walton and John P. Wild, (London:
Archetype, 1990)
Survivals
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Jacket, 1630-49, Glasgow Museums CC-BY-NC |
Below is a selection of links to surviving knitted waistcoats/jackets. This is
by no means complete. I am very well aware of many others, however many cannot
be found in museums online collections.
Please note that the terms used to describe the garments are
those that appear on the various museums’ websites.
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