Our first speaker was Susan North from the V&A Museum, who spoke on A (Knitting) Needle
in a Haystack: knitting information found whilst researching other things.
Susan has recently complete her PhD at Queen Mary,
University of London, and as she said if you are going through archives looking
for information of one thing, it is as well to make notes on other things while
you are there. She had lots of references to knitting and knitting needles in
the 16th and 17th centuries, and she pointed people to an
article on knitting in Naples in the journal Jacquard.
She suggested comparing the
pattern of the V&A
jacket in Seventeenth Century Women’s Dress Patterns, with the garment in
the Royal
Ontario Museum, a picture of which from Wikimedia Commons appears here.
Our second speaker was Amanda
Mason from the Imperial War Museum, and her subject was Wartime Knitting: collection of the Imperial War Museum. She showed
us garments in the
collection made by POWs using wool unravelled from old socks and
jumpers and knitted on needles made from wood from packing cases. She also
spoke about a lady on the home front who tried to knit a jumper from darning
wool, because it wasn’t on ration.
Next up was Maria Price who followed on the WW2 theme as she
was costume designer for Foyle's War, and she spoke on the problems of Researching and designing costume and
knitwear for film and TV. People will spot anything that is wrong, and
write in.
Rachael Matthews, who followed her is an artist and
knitting/textile practitioner. She runs a shop called Prick Your Finger, and
the best way to find out about her work is to look at her website
Matteo Molinari, is bravely working for a PhD at the LCF and
spoke on Crochet: Ubiquitous Craft,
Iniquitous Historiography. He was looking at the origins of crochet and how
various myths have grown up about it. One of his pictures showed a c.1700 metallic chain lace. Unfortunately when you search the V&A collection for it by its accession number the website does not have an image.
Finally we had Barbara Smith who spoke on The evolution of Aran Style. It is more
recent than you think. She talked about Muriel Gahan of the Irish Countrywomen’s
Association who visited the Aran Islands in 1931, and provided a commercial
outlet for Aran knitters in her Dublin shop. A jumper bought in that shop in
1937 was illustrated in Mary Thomas’s 1943
Book of Knitting Patterns.
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