We revisited the wonderful Musee le Secq des Tournelles in
Rouen, a must visit if you are in the town. The Le Secq des Tournelles, father
and son, were nineteenth century collectors of wrought, gilt, silvered and cast
iron. The collection was given to Rouen in 1917 and has been on display there
since. There are fine examples of sewing and needlework scissors on display.
The photo to the right is of 17th and 18th century scissor cases;
there is a matching display of the scissors which I don't include. These cases
though engraved and filigree are relatively plain, it you want to see what can
really be done with them have a look at a c1650 case
in the Victoria and Albert Museum, in enamelled gold decorated with
tulips and other flowers. Could this be a case for the type of “Little French
scissors” that one of Ralph Verney’s sisters asked him to send her when he was
in exile in France at the time of the Civil War. (Verney, 1892) This style of
scissors, with or without a case can been seen hanging from women’s waists, as
for example in the one
of the Hollar engravings, which is from his Ornatus Muliebris Anglicanus, The
Several Habits of Englishwomen, 1640.
These are all small pivot style scissors. Larger pivot style scissors
can be seen in the photo to the left. Another pair of these, helpfully engraved
with the date 1636, is in the Metropolitan
Museum. The more ornate scissors would have been more expensive, but basic
scissors appear in the probate inventory of the chapman Richard Riddings at 1
penny a pair in 1680. (Spufford, 1984)
The other style of scissors are shears, made in a single
piece. The two central shears in the photo below are 16th century,
and very similar to those that appear in the famous painting of a tailor
by Moroni in the National Gallery, the Gallery have put an item about the painting on
YouTube.
Spufford, M., 1984. The great reclothing of rural
England: petty chapmen and their wares in the seventeenth century. London:
Hambledon Press.
Verney, L. F.,
1892. Memoirs of the Verney family during the seventeenth century.. London:
Longmans.
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