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| Detail from the 1610-20 example at Platt Hall, Manchester |
The fashion for women to wear embroidered jackets or
waistcoats appears at the end of the sixteenth century and goes through to at
least the middle of the seventeenth century. From the middle of the seventeenth
century and on into the eighteenth the embroidered jacket or waistcoat
disappears from portraiture, and the garment itself becomes an under garment
worn for warmth and often quilted, though it loses its sleeves.
The examples I link to below are by no means a complete
listing, but I have put them into date order, or at least ordered by the dates
the museums that hold them give for them. The dates are pretty fluid and often
change depending on who is describing the item. In many cases I indicate
printed sources where you can find further information.
The photographs are mine and are therefore usually taken
through glass, my apologies for the quality.
1590-1630
Victoria and Albert Museum.
Coloured silk embroidery on linen. A coiling deign of flowers and
leaves. Melanie Braun,
'Embroidered
Linen Jacket', in North, Susan and Jenny Tiramani, eds, Seventeenth-Century
Women’s Dress Patterns, vol.2, London: V&A Publishing, 2012, pp.48-57
https://collections.vam.ac.uk/item/O80226/jacket-unknown/
1600-25. Victoria and Albert Museum. Coloured silk thread
embroidery on ivory silk with a slightly, coiling, slightly interlaced design
of roses, honeysuckle and other flowers. John Lea Nevinson, Catalogue of
English Domestic Embroidery of the Sixteenth & Seventeenth Centuries,
Victoria and Albert Museum, Department of Textiles, London: HMSO, 1938, p.79,
plate LV.
https://collections.vam.ac.uk/item/O115772/jacket-unknown/
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| The back of the Worthing Museum example |
1600-25. Victoria and Albert Museum. Coloured silk and
silver gilt thread embroidery, with spangles, on a linen fabric. A coiling
design with flowers, birds and butterflies.
Avril Hart and Susan North, Historical Fashion in Detail: the 17th and
18th centuries, V&A Publications, 1998, p.148 & 149 John Lea Nevinson,
Catalogue of English Domestic Embroidery of the Sixteenth & Seventeenth
Centuries, Victoria and Albert Museum, Department of Textiles, London: HMSO,
1938, p.78. Avril Hart and Susan North, Historical Fashion in Detail: the 17th and 18th
centuries, V&A Publications, 1998, p.148 & 149
https://collections.vam.ac.uk/item/O15345/jacket-unknown/
1600-1620. Norwich Museums. Unmade garment. Coloured silk on
linen, with a pattern of roses in circles, and borage(?) flowers. See my
photograph.
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| The Norwich Museums unmade example |
1610-1615. Victoria and Albert Museum. The Margaret Layton
jacket. Coloured silk and metal thread on linen with spangles. A coiling design
of flowers fruit and insects. Thornton, Claire, 'Margaret Layton's Waistcoat',
in North, Susan and Jenny Tiramani, eds, Seventeenth-Century Women’s Dress
Patterns, vol.1, London: V&A Publishing, 2011, pp.22-33.
https://collections.vam.ac.uk/item/O11095/jacket-unknown/
1610-20.
Museum of London.
A wool thread blackwork embroidered on linen, in a pattern of barberries. Zillah
Halls, Women’s costume 1600-1750, Museum of London, HMSO. 1970, p31, Plates 1
& 2.
https://collections.museumoflondon.org.uk/online/object/84662.html
1610-1620. Victoria and Albert Museum.
Blue embroidery on pink silk with silver
spangles, in a coiling design.
Jenny
Tiramani,
'Pink Silk Waistcoat', in
North, Susan and Jenny Tiramani, eds, Seventeenth-Century Women’s Dress
Patterns, vol.1, London: V&A Publishing, 2011, pp.34-47
https://collections.vam.ac.uk/item/O354860/waistcoat-unknown/
1615-1620. Victoria and Albert Museum. Silk blackwork
embroidery on linen fabric. A coiling design of flower, animal and insect
motifs. Susan North, "The Falkland Jacket: Sources, Provenance and
Interpretation of an Emblematic Artifact", Emblematica, vol 14, 2005,
pp.127-151. Avril Hart and Susan North, Historical Fashion in Detail: the 17th
and 18th centuries, London: V&A, 1998, p. 148
https://collections.vam.ac.uk/item/O137739/jacket-unknown/
1620-25. Victoria and Albert Museum. A silk thread blackwork
embroidered on linen. A coiling design of flowers interspersed with insects and
birds. Luca Costigliolo,, 'Blackwork waistcoat', in North, Susan and Jenny
Tiramani, eds,
Seventeenth-Century Women’s Dress Patterns, vol.1,
London: V&A Publishing, 2011, pp.48-59
https://collections.vam.ac.uk/item/O110094/waistcoat-unknown/
1620-1640. Victoria and Albert Museum. One panel only from a
waistcoat.
Coloured silk embroidery on
linen. A coiling pattern of strawberries.
John Lea Nevinson, Catalogue of English Domestic Embroidery of the
Sixteenth & Seventeenth Centuries, Victoria and Albert Museum, Department
of Textiles, London: HMSO, 1938, p.78
https://collections.vam.ac.uk/item/O115757/jacket-part-unknown/
1630-1640.
Victoria
and Albert Museum. Silver thread embroidery and spangles on fustian. The design
is a meandering pattern. Tiramani, Jenny, 'Fustian Waistcoat', in North, Susan
and Jenny Tiramani, eds, Seventeenth-Century Women’s Dress Patterns, vol.1,
London: V&A Publishing, 2011, pp.60-69
https://collections.vam.ac.uk/item/O101730/waistcoat-unknown/
1640. Victoria and Albert Museum. Red wool embroidery on a
linen warf/wool weft fabric [linsey wolsey]. Individual motifs of flowers and
birds. Avril Hart and Susan North, Historical Fashion in Detail: the 17th and
18th centuries. London: V&A Publications, 1998, p.150.
https://collections.vam.ac.uk/item/O110107/waistcoat-unknown/
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| Detail of the painted cotton example |