Thursday, 28 September 2017

The Duke of Buckingham's clothes for Paris, 1625.



Those who watched the recent BBC programme where a portrait of the Duke of Buckingham was identified as having been painted by Rubens in 1625 – and even those who didn’t, may be interested in this contemporary report of what Buckingham wore when he went on King Charles I’s behalf to Paris in 1625. The portrait to the right is not the Rubens portrait but one of the same date by Michiel J. van Miereveld, now in the Art Gallery of South Australia.

When James I died in March 1625 negotiations were already underway for a marriage between Charles and Princess Henrietta Maria of France. The marriage, with the Duc de Chevreuse (Claude de Guise) acting as proxy for Charles, took place at Notre Dame in May 1625. Charles sent Buckingham to Paris to bring the new queen back to England. 

In the State Papers the report of Buckingham’s clothes is actually described as “a singular specimen of the luxurious magnificence of that great favourite.” It also tells us to a certain extent about the clothes provided to his entourage. 

“His Grace hath for his body, twenty seven rich suits embroidered and laced with silk and silver plushes; besides one rich white satin uncut velvet suit, set all over, both suit and cloak, with diamonds, the value whereof is thought to be worth fourscore thousand pounds, besides a feather made of great diamonds; with sword, girdle, hatband and spurs with diamonds, which suit his Grace intends to enter Paris with. Another rich suit is of purple satin, embroidered all over with rich orient pearls; the cloak made after the Spanish fashion, with all things suitable, the value whereof will be £20,000 and this is thought shall be for the wedding day in Paris. His other suits are all as rich as invention can frame, or art fashion. His colours [that is for his entourage] for the entrance are white pwatchett, and for the wedding crimson and gold.

Three rich suits apiece,

Twenty privy gentlemen; seven grooms of his chamber; thirty Chief Yeomen; two master cooks.

Of his own servants for the household,

Twenty five second cooks; fourteen Yeomen of the second rank, seventeen grooms to them; forty five labourers selletters belonging to the kitchen, twelve pages, three rich suits apiece; twenty four footmen, three rich suits and two rich coats apiece; six huntsmen two rich suits apiece, twelve Grooms one suit apiece, six Riders one suit apiece, besides eight others to attend the stable business.
Three rich velvet coaches inside; without with gold lace all over; eight horses in each coach and six coachmen richly suited; eight score musicians richly suited; twenty two watermen suited in sky coloured taffety, all gilded with anchors, and my Lord’s arms; all these to row in one barge of my Lord’s. All these servants have everything suitable, all being at his Grace’s charge.”

From: Miscellaneous state papers: from 1501-1726, Volume 1, p.571-2

4 comments:

  1. Good God!!!! After reading this how can anyone criticise the present royals or titled? The amount of money all those clothes cost must have amounted to millions in todays money!! No wonder the peasants were revolting!!

    ReplyDelete
  2. I thoroughly enjoyed that programme with Dr. Bendor Grosvenor (isn't that a most marvellous name?)

    Have you any idea what pwatchett was?

    ReplyDelete
    Replies
    1. I too enjoyed the programme. I've never across pwatchett in any other context but this. If it didn't have the word white in front of it I would assume it was a misspelling of watchet, which is a light blue colour. Since crimson and gold where the other colours, it could be that this should read white and watchet. Possible because his watermen are in sky blue.

      Delete
  3. This comment has been removed by a blog administrator.

    ReplyDelete